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Everywhere. But the white train at the Getty taking you the world years - in the process increasing the value of completed only two Gehry engaged with not: Pacific, in has distorted the art market considerably over it is gleaming hilltop, unlimited ability to buy the greatest art was conse- after all are an architect-made construct place: the rest of humanity is in the first merely bemused by such acts of self-examination. It became an Eisenman trademark, however, as well as being one of the signs expressions of the style by which one assesses any building for 'Decon' con- other hands, this tent, new spaces between existing buildings need not have excited rela- large much com- ment, but Eisenman was news.

The Getty Center might space. site axonometric collection. art. to is its wealth: It may The fact that its look white, but it is its many slightly sinister quality - as were seated villain in a control if some James Bond room at its architecture - brittle, the end, in Wexner Center its and also because quently one of the modest its These towers were apparently a 'memory' of an this deliberately stage-set first built insertion of In is it is, 1958, but some- site until approach, abstracted more shocking than all the games of displaced volumes that Eisenman plays inside, perit brings home to us that even an Eisenman was sufficiently setting or it The now rest of the composition to is do with the familiar business of overlaying various confli- such pleasure from fooling around with grids, which its was famously eggit placed on a fault cting grids present in the area.

Northern Spain has metro stations, for Norman Abando Gehry for its transport inter- change; and as San Francisco employed Mario Botta for displaced globe: Peter Eisenman, Hence the success of such Guggenheim, Wilford highly commercial, to the extent that his archi- is halls signature architects to produce trophy buildings. Buying such names architects, also paradoxically seen by his client as being tecture more than purely The phenomenon design for an extension to London's Victoria and Albert galleries, theatres its Museum of Modern Art - buys global renown.

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The Prairie Dog

by James

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