Read e-book online Details of Gothic Architecture. PDF

By James Kellaway Colling

В двух томах приведены детали и фрагменты, позволяющие подробнее узнать об архитектуре Готики они станут хорошим дополнением к библиотеке Архитектора.

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The Christian saying that "beauty is not on my countenance but within me" seems to have given expression to this leading characteristic. The Romanesque artists gradually ornamented the exterior according to Roman patterns, and later on we find relief ornament Both may only be the contemporaneous appearance of one and the same form, and we ascribe to one particular divided into stages. Were there is neither marble nor stone, nor sculpture, artisans decorate the walls by laying place an activity which compared with that of another centre might only deserve the name of passivity.

Till it ground triumphed. The tendency towards the vertiat its cal zenith had to continually The vaulting compartments increases. develop from square to oblong with closer placing of The apse again becomes polygonal. The crypts disappear, whereas the choir ambulatories and butthe piers. tresses multiply. Finials occur abundantly, single forms are multiplied, and a whole world of animals and plants are copied from nature and replace fantastical ornament with interwoven monsters. The tendency to-day is to attribute the Romanesque innovations to a uniform the the artists, and to their totality of training of common desire to obtain particular light effects.

Were there is neither marble nor stone, nor sculpture, artisans decorate the walls by laying place an activity which compared with that of another centre might only deserve the name of passivity. The the bricks influence in the field of decoration is greater because of the ease with which things like fabrics, embroidery, wood-carving, goldsmiths' work and ivories may be trans- fashion ported from one place to another. But there is also such a thing as direct and indirect influence: such for instance as that exercised by the monastic system, particularly that that the in geometrical and multicoloured patterns; rich patterns of inlaid marble in a more often with known as "opus sectile".

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Details of Gothic Architecture. by James Kellaway Colling

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