By Carlen Lavigne
This research of cyberpunk technology fiction written among 1981 and 2003 positions women's cyberpunk within the higher cultural dialogue of feminist matters. It lines the origins of the style, studies the severe reactions and descriptions the ways that women's cyberpunk advances issues of view which are in particular feminist. Novels are tested inside of their cultural contexts; their content material is in comparison to broader controversies inside modern feminism, and their topics are published as reflections of feminist discourse round the flip of the twenty first century. Chapters hide themes resembling globalization, digital fact, cyborg tradition, environmentalism, faith, motherhood and queer rights. Interviews with feminist cyberpunk authors are supplied, revealing either their motivations for writing and their reports with fanatics. The learn treats feminist cyberpunk as a different automobile for studying modern women's matters and analyzes feminist technological know-how fiction as a fancy resource of political rules.
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Additional info for Cyberpunk Women, Feminism and Science Fiction: A Critical Study
This is especially evident when considering that pre-cyberpunk, women had made marked in-roads to the science ﬁction community. Early Contributions Women authors in the 1990s introduced feminism to cyberpunk, but certainly not to science ﬁction, which was given a feminist slant in much earlier works. Women have been writing science ﬁction for as long as the genre has been recognized — and, in fact, earlier, if one follows the popular path tracing science ﬁction’s origins to Mary Shelley’s Frankenstein (1818), or even to Margaret Cavendish’s The Blazing World (1666; see Hemmings 87).
The original site is no longer available, but Sterling’s list is mirrored at http://www. htm. It is also reprinted in Cadigan’s edited collection The Ultimate Cyberpunk (383–90). 42 — Chapter 3 — Alienating Worlds: Globalization and Community In citing two of cyberpunk’s major tropes as corporations and crime (191), Frances Bonner noted that these elements are often conjoined within the genre’s texts. This twinning of corporate growth and crime best represents early cyberpunk’s implicit criticism of capitalism and globalization; often, multinational corporations are the dehumanizing, all-powerful law, and crime is the only available resistance.
Indeed, although 1980s cyberpunk is notable for its unique take on issues such as technology, capitalism, social alienation and identity, almost all of its major works were written by middle-class, heterosexual white men. With the exception of Pat Cadigan, whose cover blurbs frequently dub her the “Queen of Cyberpunk,” the originating authors of the cyberpunk movement conformed to a rather uniform description — and the content of their work, in ignoring the inﬂuence of so many social movements, reﬂects this.
Cyberpunk Women, Feminism and Science Fiction: A Critical Study by Carlen Lavigne