By Robert Neustadt
Foregrounding a method of experimental innovations which Neustadt name "(con)fusing signs," the ebook explores severe and political dimensions of up to date Spanish American creative practices which are frequently defined away within the imprecise identify of postmodern fragmentation. (Con)Fusing symptoms explores the ideas, outcomes and reasons for this kind of fragmentation. This learn reassesses the a lot mentioned "crisis of illustration" via an research of the complexity of political critique in parts as different (and comparable) as postmodernity, army dictatorship and postcolonialism. This e-book explores the way during which multimedia artists Diamela Eltit, Alejandro Jodorowsky, and Guillermo G-mez-Pe-a articulate political opinions via textual (con)fusion whereas mockingly underscoring their lack of ability to get outdoor of discourse.
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Additional resources for (Con)Fusing Signs and Postmodern Positions: Spanish American Performance, Experimental Writing, and the Critique of Political Confusion (Latin American Studies)
Furthermore, whereas all hegemonic structures depend on language and discourse, hegemony does not correlate to any single idea, concept or unique ruling group. When reading Gramsci through Foucault and Wittgenstein, hegemonic power becomes a hierarchical cluster of uneven power relations, of differences and of signs. Eltit’s, Jodorowsky’s and Gómez-Peña’s approaches are as diverse as the oppressive systems that they critique. What they bear in common is a situation—they gnaw against the hegemonic systems to which they themselves belong.
Iluminada, who reads between the signs from an evacuated plaza. Iluminada sits in a plaza staring at an advertisement whose commercial referent she cannot afford to buy. Her presence and the fact that she (and los pálidos) are the sole recipients of the message infers the repression of post-coup Chile. Interpreting contextually, the plaza remains “empty” because of the military-imposed nocturnal curfew: “La inutilidad de ambos—plaza y luminoso—en la noche la golpeó de pleno” (203). Only the homeless remain in the plaza, precisely because they have no home.
In Derridean terms, they solicit9 the foundations of a structure from which there is no escape. Rendering literary, visual and performance representations, Eltit, Jodorowsky and Gómez-Peña solicit the “prisonhouse” of representation. ” Furthermore, whereas all hegemonic structures depend on language and discourse, hegemony does not correlate to any single idea, concept or unique ruling group. When reading Gramsci through Foucault and Wittgenstein, hegemonic power becomes a hierarchical cluster of uneven power relations, of differences and of signs.
(Con)Fusing Signs and Postmodern Positions: Spanish American Performance, Experimental Writing, and the Critique of Political Confusion (Latin American Studies) by Robert Neustadt