By John Morreall
Comedy, tragedy, and faith were intertwined on the grounds that historic Greece, the place comedy and tragedy arose as spiritual rituals. This groundbreaking booklet analyzes the worldviews of tragedy and comedy, and compares every one with the world's significant religions. Morreall contrasts the tragic and comedian alongside twenty mental and social dimensions and makes use of those to investigate either japanese and Western traditions. even supposing no faith embodies a basically tragic or comedian imaginative and prescient of existence, a few are more often than not tragic and others in most cases comedian. In jap religions, Morreall unearths no powerful tragic imaginative and prescient yet does locate major comedian gains, specially in Taoism and Zen Buddhism. within the Western monotheistic culture, there are a few comedian beneficial properties within the early Bible, yet by means of the overdue Hebrew Bible, the tragic imaginative and prescient dominates. millennia have performed little to opposite that tragic imaginative and prescient in Judaism. Christianity, nonetheless, has proven either tragic and comedian features-Morreall writes of the Calvinist imaginative and prescient and the Franciscan vision-but within the modern period comedian positive factors have come to dominate. the writer additionally explores Islam, and unearths it has neither a comic book nor a sad imaginative and prescient. And, between new religions, these which emphasize the non-public self come just about having an completely comedian imaginative and prescient of lifestyles.
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Additional resources for Comedy, tragedy, and religion
Previous page page_51 If you like this book, buy it! 10] next page > page_52 page_52 < previous page next page > Page 52 To see how these beliefs clash with the tragic vision, we can pose the five questions in our Tragic Profile to Hinduism and Buddhism. 1. Is suffering orderly and understandable? In the tragic vision, much suffering is undeserved and unexplainable, but in the system of reincarnation and karma, all suffering is deserved and therefore explainable. All of us are personally responsible for all the suffering in our lives.
More comic characters are women, they have a wider variety of roles, and they often outwit men. By the time of Aristophanes' Lysistrata, comedy already had its theme of clever, nonviolent women outsmarting warriors. Indeed, such comedy may have been the first form of feminism in Western culture. 18. Respect for versus Questioning of Authority and Tradition The contrast drawn earlier between uncritical tragic thinking and critical comic thinking has social consequences. The tragic vision, and the heroic tradition generally, emphasize respect for authority and tradition.
With them, the best we can do is cope, and here too disengagement has much to recommend it. A contemporary example of comic perspective is the humorist writer Erma Bombeck. A few years ago she wrote a book about children with cancer: I Want to Grow Hair, I Want to Grow Up, I Want to Go to Boise, her title pieced together from essays by the kids. After writing it, Bombeck was herself diagnosed with breast cancer, which required a mastectomy. In that situation many women would have reacted with tragic emotions, but not Bombeck.
Comedy, tragedy, and religion by John Morreall