By Peter Schneider, Sophie Schlondorff
It isn’t Europe’s so much beautiful city, or its oldest. Its structure isn't really extra awesome than that of Rome or Paris; its museums don't carry extra treasures than those in Barcelona or London. And but, whilst electorate of “New York, Tel Aviv, or Rome question me the place I’m from and that i point out the identify Berlin,” writes Peter Schneider, “their eyes immediately gentle up.”
Berlin Now is an established Berliner’s brilliant, daring, and digressive exploration of the heterogeneous attract of this brilliant urban. Delving underneath the most obvious answers—Berlin’s membership scene, reinforced through the inability of a compulsory remaining time; the creative communities that thrive end result of the fairly low (for now) fee of living—Schneider takes us on an insider’s journey of this swiftly metamorphosing city, the place high-class soirees are held at building websites and enterprising members usually accomplish extra with out public funding—assembling a makeshift membership at the banks of the Spree River—than Berlin’s officers do.
Schneider’s perceptive, witty investigations on every thing from the insidious legacy of suspicion instilled via the East German mystery police to the clashing attitudes towards paintings, foodstuff, and love held through former East and West Berliners were sharply translated by way of Sophie Schlondorff. the result's a publication so vigorous that readers may want to leap on a plane—just once they’ve entire their adventures at the page.
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Additional info for Berlin Now: The City After the Wall
An actress from East Germany, who was trying her hand at the esoteric arts after abandoning a career in theater, lived on the fifth floor—supposedly she was a close friend of the East German dissident and civil rights activist Bärbel Bohley. Far Eastern scents and meditation music wafted into the stairwell from her apartment. Sometimes Inka would get a massage from this neighbor. The woman’s name later showed up on a list of informers for East Germany’s state security service. From that point on, Inka stopped availing herself of the mystic’s services.
He remembered how he felt the first time he had stepped onto the wasteland in the heart of the city—a place, as he put it, “saturated with history. ” Initially, he was stumped by the task of creating urban life from this tabula rasa. He felt like a mathematician who had been asked to solve an equation with not just one, two, or three unknown variables, but twenty. Except for Haus Huth and the remains of the Hotel Esplanade, there were no reference points—no ensemble that might have provided inspiration or acted as a springboard.
He felt like a mathematician who had been asked to solve an equation with not just one, two, or three unknown variables, but twenty. Except for Haus Huth and the remains of the Hotel Esplanade, there were no reference points—no ensemble that might have provided inspiration or acted as a springboard. He would have liked to be able to integrate at least a section of the Wall into his designs, but the Wall had also disappeared without a trace. Wasn’t this hasty disposal just another bout of the very same cleaning-up mania that had compelled German postwar planners to erase all structural traces of the prewar era?
Berlin Now: The City After the Wall by Peter Schneider, Sophie Schlondorff