By Bainbridge Copnall and Fabio Barraclough (Auth.)
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Extra resources for A Sculptor's Manual
If any of the strands split during the work it was possible to remove the piece and substitute another one, glueing it together with Araldite or any such strong glue (Plate 26). s returning from the war or by other vandals, and another one has been stolen recently. 46 W O O D CARVING These panels were all carved again and replaced—this was easily possible as the original drawings were kept so they could be traced once more and recarved. The wood used for this work was well-weathered pine, cherry, and lime—all delightful woods to carve.
Each set must comprise three rollers of equal diameter and similar length. Sets may be of \ \ in. in diameter to 4 in. In length 2-3 ft. 5. 25 PLATE 1 7 . Group in Bramley Fall Stone. ft. 6 MOVING HEAVY WEIGHTS Twin planks should be laid down unless the floor is level and smooth. At rest, the object to be moved, should stand on its distance-pieces. If the rollers are to travel on planks, the object has to be raised (by the method earlier described) by planks inserted below the distance-pieces, and the weight returned to these.
Weathering ; the method of keeping the work clean as referred to in the chapter on stone carving. He must also think whether the meaning of the work is suitable for this particular scheme. The consideration as to whether the style is acceptable to the client before embarking on a new project is another factor. I have myself wasted many days and much money by trying to "jump the gun" in my anxiety to get going on some idea of mine in relation to the new work, I have even made expensive models carried to a high degree of finish, only to find that my idea was not quite what the architect had envisaged.
A Sculptor's Manual by Bainbridge Copnall and Fabio Barraclough (Auth.)